Review: Joel Ivany sprinkles some magic into the COC’s new production of Hansel & Gretel
This Toronto-inspired production shines a new light on Engelbert Humperdinck’s classic opera.
Review: The COC stages an off-kilter, madcap production of The Barber of Seville
Joan Font’s direction falters, but conductor Speranza Scappucci shines.
Joshua Chong 