Portfolio

Review | The new Canadian musical ‘Life After’ is a triumph at Mirvish. But is it ready for Broadway?

Review | CanStage’s ‘Romeo and Juliet’ in High Park squanders its interwar Italy setting

Critic’s Notebook | I’ve seen hundreds of theatre shows — but this performance changed my entire perspective

Review | ‘The Last Timbit,’ the new Tim Hortons musical, may be the brand’s worst publicity stunt ever

Critic’s Notebook | Best and worst seats: Our theatre critic ranks 12 major venues across Toronto, and the Stratford and Shaw festivals

Review | The hilarious Stratford Festival romp ‘London Assurance’ was written two centuries ago, but the fool at its centre is recognizable today

Critic’s Notebook | So many stage musicals in Toronto are plagued by sound issues. Could this radical idea be the solution?